Fleda was silent; the worst of it all was that there was something unspoken between them. Neither of them dared to utter it, but the influence of it was in the girl's tone when she returned at last, with great gentleness: "Don't be harsh to me—I'm very unhappy." The words produced a visible impression on Mrs. Gereth, who held her face averted and sent off through the window a gaze that kept pace with the long caravan of her treasures. Fleda knew she was watching it wind up the avenue of Poynton—Fleda participated indeed fully in the vision; so that after a little the most consoling thing seemed to her to add: "I don't see why in the world you take so for granted that he's, as you say, 'lost.'" "They've looked very beautiful, and they've been very beautiful. Oh, I've told her the sort you are!" the young man pursued.!

She was slow to take in the announcement, but when she had done so she felt it to be more than her cup of bitterness would hold. Her bitterness was her anxiety, the taste of which suddenly sickened her. What had she become, on the spot, but a traitress to her friend? The treachery increased with the view of the friend's motive, a motive magnificent as a tribute to her value. Mrs. Gereth had wished to make sure of her and had reasoned that there would be no such way as by a large appeal to her honor. If it be true, as men have declared, that the sense of honor is weak in women, some of the bearings of this stroke might have thrown a light on the question. What was now, at all events, put before Fleda was that she had been made sure of, for the greatness of the surrender imposed an obligation as great. There was an expression she had heard used by young men with whom she danced: the only word to fit Mrs. Gereth's intention was that Mrs. Gereth had designed to "fetch" her. It was a calculated, it was a crushing bribe; it looked her in the eyes and said simply: "That's what I do for you!" What Fleda was to do in return required no pointing out. The sense, at present, of how little she had done made her almost cry aloud with pain; but her first endeavor, in the face of the fact, was to keep such a cry from reaching her companion. How little she had done Mrs. Gereth didn't yet know, and possibly there would be still some way of turning round before the discovery. On her own side too Fleda had almost made one: she had known she was wanted, but she had not after all conceived how magnificently much. She had been treated by her friend's act as a conscious prize, but what made her a conscious prize was only the power the act itself imputed to her. As high, bold diplomacy it dazzled and carried her off her feet. She admired the noble risk of it, a risk Mrs. Gereth had faced for the utterly poor creature that the girl now felt herself. The change it instantly wrought in her was, moreover, extraordinary: it transformed at a touch her emotion on the subject of concessions. A few weeks earlier she had jumped at the duty of pleading for them, practically quarreling with the lady of Ricks for her refusal to restore what she had taken. She had been sore with the wrong to Owen, she had bled with the wounds of Poynton; now however, as she heard of the replenishment of the void that had so haunted her, she came as near sounding an alarm as if from the deck of a ship she had seen a person she loved jump into the sea. Mrs. Gereth had become in a flash the victim; poor little Ricks had been laid bare in a night. If Fleda's feeling about the old things had taken precipitate form the form would have been a frantic command. It was indeed for mere want of breath that she didn't shout: "Oh, stop them—it's no use; bring them back—it's too late!" And what most kept her breathless was her companion's very grandeur. Fleda distinguished as never before the purity of such a passion; it made Mrs. Gereth august and almost sublime. It was absolutely unselfish—she cared nothing for mere possession. She thought solely and incorruptibly of what was best for the things; she had surrendered them to the presumptive care of the one person of her acquaintance who felt about them as she felt herself, and whose long lease of the future would be the nearest approach that could be compassed to committing them to a museum. Now it was indeed that Fleda knew what rested on her; now it was also that she measured as if for the first time Mrs. Gereth's view of the natural influence of a fine acquisition. She had adopted the idea of blowing away the last doubt of what her young friend would gain, of making good still more than she was obliged to make it the promise of weeks before. It was one thing for the girl to have heard that in a certain event restitution would be made; it was another for her to see the condition, with a noble trust, treated in advance as performed, and to be able to feel that she should have only to open a door to find every old piece in every old corner. To have played such a card was therefore, practically, for Mrs. Gereth, to have won the game. Fleda had certainly to recognize that, so far as the theory of the matter went, the game had been won. Oh, she had been made sure of! He too hesitated, but he was not checked. "It's just for the reason that I'm free. Don't you know what I mean, Miss Vetch? I want you to marry me."

"I dare say he thinks it may come to that." "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" "You'll all the same come abroad with me?"